| 1. |
Woods and metals expand and contract at different
rates. During the winter when the heat is on and the air is drier,
the woods lose moisture and contract. The tuners generally need
to be snugged up at the tuner nut on top. Snug is good. Also check your other fasteners. |
| 2. |
The string slots in the nut wear with use,
and would then need to be touched up. Graphite, perhaps from
a pencil point, in the string slots will lubricate the slots,
reducing wear and making tuning easier. |
| 3. |
Plastic abrasive pads will remove string corrosion.
Wiping the strings down after playing will help prevent corrosion
and buildup of "crud" on the strings. |
| 4. |
When grooves are worn into the frets, the
depressed strings can buzz on the next fret, and clean play becomes
impossible. If the wear is moderate the frets can be dressed;
if it is extreme, new frets are needed. |
| 5. |
Two or three times a year it is a good idea
to clean the fretboard with a plastic abrasive pad or fine steel
wool and wipe the clean board with lemon oil or fingerboard oil
to keep it from drying out. |
| 6. |
The attitude of the fingerboard is important
to keep the strings, especially on banjos with lower actions,
from buzzing on the frets. A slight concave is good. |
| 7. |
The truss rod is designed to counter string
tension and set the relief in the fingerboard/neck. The frequency
of adjustment depends on your climate, the neck, and your
own requirements. The two way truss rod is accessed from the
heel with the neck removed from the rim. It is engaged with
a 1/8" allen wrench. Turn counter clockwise to drop or
lower the middle of the neck/fingerboard. Clockwise will raise
the middle. A slight concave or drop is good. Adjust the truss
rod in small increments, perhaps 1/8 of a turn at a time.
Monitor your progress with a good straight edge that is long
enough to span all the frets. Measure "relief" at
the seventh fret with feeler gauges. If you play on a high
action you might like a straight neck. If you like a low action
you might need as much as .015" relief or drop at the
seventh fret. |
| 8. |
The action height is set at our shop. The
easiest way to change this is by replacing the bridge with a
taller one to raise the action, or a shorter one to lower the
strings.This may entail some alteration of the bridge. |
| 9. |
The tension of the head will effect the action/string
height and the sound of your Cedar Mountain banjo. A looser head
will effectively lower the string height and make a softer, plunkier
sound. Conversely, a tighter head will raise the bridge and action
height and produce a brighter sound. |
| 10. |
The mass of the bridge will also influence
the sound. A thinner bridge will color the sound brighter while
a thicker, more massive bridge will sound darker. |
| 11. |
Wipe your instrument down with a clean, soft
cloth after playing and return it to its case, where it is protected
from physical damage and climate extremes. Extremes in temperature
and humidity are the major cause of instrument damage. It is
a good idea to use a humidifier with a hygrometer in your case
during the dry winters and dessicants in your case during the
humid summer months. Most wooden instruments are comfortable
in the 50 to 90 degree range and at 40 to 60 percent humidity.
The effects of extreme temperature and humidity are not covered
in your warranty. |
| 12. |
If you are traveling by car, avoid leaving
your instrument in a hot or cold vehicle, especially the trunk. |
| 13. |
If you are flying, perhaps it would be a good idea to
confirm current regulations when you purchase your ticket and note the name
of the individual you spoke with. If it's in a hard case and you must
check it with baggage, ask to "gate check" it, and
that it be put in the pressurized luggage compartment. I routinely
loosen the strings and lay the bridge down. It's a good idea to secure it in its case with padding
if the fit is sloppy. |
| 14. |
Every once in a while it is prudent to have
your banjo tuned up. This would include checking the tuners,
nut, bridge, cleaning and oiling the fretboard, adjusting the
truss rod and any other general maintenance that might be needed.
You should develop a relationship with your local luthier to
keep your instrument playing at its best, adjusted to your local
climate conditions, and to help with accidents and problems that
might occur. |